A Regular Palace by Don Butler, Maria Cook, Doug Fischer

By Don Butler, Maria Cook, Doug Fischer

For a hundred years, the area has walked during the foyer of the Fairmont Chateau Laurier, the grand lodge set in a picturesque panorama the place the Rideau Canal locks make their descent to the Ottawa River.

From the instant it opened in 1912, it was once within the phrases of an outdated brochure "the position the place politics and delight, finance and style meet ... the hub of the capital's wheel of affairs, an outstanding and helpful centre of Canadian life."

This was once the place the Canadian govt arrange transitority quarters whilst the Parliament structures burned in 1916. It was once where troops massed ahead of heading to conflict. Photographer Yousuf Karsh lived and labored on the lodge. The CBC broadcast from it. The lengthy checklist of recognized visitors contains Queen Elizabeth, the Dalai Lama and Nelson Mandela.

The dramatic silhouette of towers and steep roofs of the Chateau Laurier defines Ottawa for viewers and citizens alike. Conical turrets upward thrust from substantial partitions of Indiana limestone. Gables of the warm-coloured stone are carved with flora, scrolls and creâsts. Dormer home windows punctuate expanses of eco-friendly copper roof.

Learn extra in regards to the Chateau, its historical past and the folks in the back of it during this beautiful selection of tales and historic images from the Ottawa Citizen.

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Adriano, St. Cosino, St. Agnes ; the finest of all and being the Rotunda, wherein the ancients endeavoured to imitate by art that kind of Corinthian metal in which the colour of gold prevailed. Letarouilly "Rome Moderne," Paris, 1840) informs us that while Palladio was measuring here, he built an altar in the long (in hall of the hospital of S. Spirito, the only to be seen in Rome. , with music and laughter ; bright with an was slowly but surely effacing the rust of barbarity which had so long remained on the surface of the ages, and loosening the fetters which had so long bound them in indolence.

To its width pedestal). is The two to of the height of the arched opening one (including the depth of the balustrade which crowns the facade has a height of one-fifth of the Ionic order, without including the pedestal. This building must rank as Palladio's masterpiece, the charm it now possesses is also largely enhanced by peculiar the beautiful weathering of the stone.

A statue crowns the balustrade over each pair of columns, and thus an unusual and difficult proportion of bay was master. It is principal perhaps in the cleverly handled by our design of the space between the columns that the beauty and originality of this PUBLIC BUILDINGS By building are found. it 29 referring to the illustration (Plate be seen that a space approximating a square will tained between the main columns as vertical lines is 3), con- and the base line of these columns and the underside of their entablatures as horizontal bounding lines.

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